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Craftsman Don Doyle previously appeared in the June 2004 Bulletin in an
article showcasing his clock case making versatility. Don is a member of the
NAWCC and Great Lakes Chapter 6. He is a retired wood model maker and
specializes in clock case restoration, making reproduction clocks, and
carving and creating anything made of wood. Acorn clocks are among Don’s
recent creations. Don Doyle completed nine reproduction J. C. Brown acorn
clocks in November 2005.
The Clock Case
Don followed the original design as closely as possible, even locating
hard-to-find Brazilian rosewood veneer, which was needed for the outside
lamination on the case. Three different types of veneers, maple, mahogany,
and the Brazilian rosewood, were used for the lamination. The cases were a
challenge to make because of the nine-ply continuous lamination. The
original cases were finished with only one joint at the very top of the
case. In order to accomplish this in the reproduction cases, Don made an
acorn-shaped mold, which utilized two four-ton jacks to close once the glued
veneers were placed inside. The original J. C. Brown acorn clock cases were
made around 1845 and were probably shaped in a mold that was pressed by
steam power. These mid-nineteenth century cases were most likely one of the
first applications of plywood in the United States.
The Clock Movement
To make the clocks more authentic Don purchased nine original lyre-shaped
Forestville Clock Company movements. Because J. C. Brown used these
movements in a few different clock case styles, they were fairly easy to
find. However, the original acorn clock movement was fusee-powered and all
of the found movements were not, so Don made up fusee assemblies like the
original clock. He turned the wooden fusees on a lathe and then contracted a
local machine shop, which used a C.N.C.-powered lathe, to make the cable
grooves. He made the other necessary components, with the exception of the
mainsprings and fusee arbors. The fusee arbors were machined by another
local machine shop in Michigan.
Contributing Craftspeople
Other craftspeople were commissioned by Don to assist with these
reproduction acorn clocks. Arnold Van Tiem, a watch and clockmaker,
pre-cleaned the movements and fit new escape wheels on them, with the
correct tooth count for an acorn clock. Worn bushings were replaced as
needed and the pivots were polished. Rust was removed from the steel parts
and the movements were recleaned. The end result was nine movements in A-1
condition.
Expert dial painter Millard Ryland was commissioned to reproduce the
clock dials. Millard first prepared the zinc dial pans so that the paint
would adhere. The dials were then repainted exactly as the originals.
Reverse glass painters Tom and Jan Moberg replicated the clock glasses
following exactly, for eight of the clocks, the Merchants’ Exchange scene
design found on the J. C. Brown acorn clock in the Henry Ford Museum. The
ninth clock features a geometric design per the buyer’s request. Original
acorn clocks came with painted glass featuring a variety of scenes and
designs.
Don Doyle’s clocks are probably the most accurately reproduced J. C.
Brown acorn clocks made. In fact, if the cases could be aged, one would
think these were all original clocks. Our hats go off to Don for making
another fantastic clock reproduction.
Arnold C. Van Tiem is a full-time watch and clock repair instructor at
the Career Preparation Center in Sterling Heights, Michigan. He is an NAWCC
Fellow, director of Great Lakes Chapter 6 of the NAWCC, and is a director of
the Research and Education Council, American Watch and Clockmakers
Institute.
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Figure 1. Don demonstrates the use of his clock case
veneer form. He used two four-ton jacks to close the veneer form,
which shaped nine laminated sheets of veneer while being glued. |
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Figure 2. Various case parts and three of the nine
original Forestville clock movements. Note that the 9-ply clock
base, as well as the 7-ply side arms, are made of a lamination of
veneer. Don made an additional form to shape the side arms. |
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Figure 3. Don shows a clock case in the early stages. |
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Figure 4. Don holds one of the nine clock cases. At this point
he has the cases glued together at the top and the doors cut out of the
case. |
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Figure 5. A nearly completed clock with the dial and hands
removed. Note the fusee at the inside bottom of the case. |
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